staging gender
Adam Blatner
ablatner at verizon.net
Sun Jan 4 12:47:02 CST 2009
I was sent an item (at the bottom), a call for papers about staging gender (from Sally
Bailey, a major drama therapist), and this is what occurred to me. Your additions,
comments, etc. will be helpful:
What about presenting dramatically the issues related to gender? What about putting on a
sociodrama in which men and women
are present; some situations are chosen; and the key is that in addition to the roles of
the men and women being enacted, there are also the doubles, representing the inner
voices, and cultural expectations voices, impacting each actor. The real goal is to
identify and embody and express these various cultural expectations factors, the voices
that say things like
not attractive enough, too feminine, too masculine, too dorky, girls shouldn't let
their aggressive intelligence show, can I engage in this interaction without make-up? and
the hundreds of other voices.
Also, people can have loud inner voices and softer inner voices, little
whispers---not enough to be compelling, but enough to make one a little uncomfortable,
unsure.
So, I imagine a workshop that would in effect be a mixture of axiodrama and sociodrama,
since gendered role is larger than sub-culture and local social matrix
It seems to me that there would be value in bringing to consciousness, explicitly
identifying, naming and recording on a pad or taking notes the various issues involved!
(I'm into identifying the issues and sub-components of issues, the unspoken beliefs and
assumptions behind those beliefs.)
I don't know if anyone has explored this. Do you know? Warmly, Adam
> based on email sent from" <sdbailey at KSU.EDU> To: <DRAMATHERAPYLST at LISTSERV.KSU.EDU>
Sunday, January 04, 2009 Subject: Call for Papers: eJournal of Theatre & Performing Arts
Platform Postgraduate eJournal of Theatre & Performing Arts: Call For Papers: Deadline
Friday 23 Jan 2009
Spring 2009 (Vol 4, No 1): Staging Gender(s)
Submissions are invited from postgraduates, postdoctoral researchers and
entry-level academics in the fields of theatre and performing arts for the next edition of
Platform, a themed issue, titled Staging Gender(s).
How does theatre intervene in our perception of gender identity? What is the relationship
between academic discourse on gender and feminism, and performance practices? Is there
still a need to consider theatre practitioners or playwrights according to their gender?
To what extent is work by women in theatre and performance informed by gender and
feminism?
Setting out from current debates surrounding the contested legitimacy and/or efficacy
of terms such as feminism and gender identity this issue aims to explore the multiple
intersections of gender and feminism(s) in different forms of theatre and performance. We
hope that this issue will contribute to this debate on the relationship between feminism,
gender and theatre/performance and make an attempt to trace connections with the past as
well as to examine current and future directions.
Topics might include but are by no means limited to: Gender and/or feminism as
political intervention; Intersections of feminist/gender/race/queer identities with
theatre practice/theatre history; Futures for feminism(s); International feminism(s);
Representations of masculine identities in theatre history/practice; The 'new lad' plays
and the feminist backlash; Gender identity and globalisation/nomadism/cosmopolitanism;
Gender, feminism and reception; Platform welcomes practice-based papers.
The deadline for submissions is Friday 23rd January 2009. Papers should be sent as
email attachments, along with a short (200 word) abstract, to:
platform-submissions at rhul.ac.uk
>>
>> Details of our submission guidelines can be found on the website
>> (www.rhul.ac.uk/drama/platform) and we recommend that potential
>> contributors familiarise themselves with these before sending in their
>> papers. All papers are reviewed by one academic and one peer reviewer,
>> provided they meet our submission guidelines.
>>
>> Platform is an electronic journal devoted to postgraduates, postdoctoral
>> researchers, and entry-level academics in the fields of theatre and
>> performing arts. Platform is run by postgraduates for postgraduates,
>> and is based at the Drama and Theatre Department of Royal Holloway,
>> University of London.
>> http://www.rhul.ac.uk/drama/platform
>>
>> --
>> Marissia Fragou
>> PhD Candidate
>> Department of Drama and Theatre
>> Royal Holloway University of London
>> Egham Surrey
>> TW20 0EX
>>
>> www.rhul.ac.uk/drama/platform
>>
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