On Blatner's account of feet of clay

[Ann Hale]

On Mon, Apr 13, 2009 at 3:33 PM, Ann Hale <annehale at swva.net> wrote:

  And why would Moreno have referred to psychodrma as the "therapy for fallen gods?"   Moreno stated quite clearly in writings on spontaneity that he was a lover of the imperfect. In inperfection there is hope, and hope can drive us toward one another.  I experienced pesonally Moreno's gaps in professionalism. It is not what I remember. I remember most that a person in a disintegrated and fearful state when greeted by Moreno for the first time, within moments, was revealed to all of us present, as profoundly human and worthy of connection. He was capable of extraordinary compassion and generosity.  And, he could call you up at 2:00am and have you drive 45 minutes to Poughkeepsie to get him a pizza and not offer you any!
  ----- Original Message ----- 
  From: Ivo Banaco 
  To: grouptalk Listserv 
  Sent: Monday, April 13, 2009 7:34 AM
  Subject: On Blatner's account of feet of clay


  In one of the thoughts that Adam Blatner share with us, here in Grouptalk he said (hope not taking this out of the context, I think I'm not):


  "what if our leaders have this same (really quite normal) distribution of role skills. What do we do when we find our leader, our pioneer, our elder, our ideal, has faults? Do we see Moreno, for example, as having feet of clay? That metaphor implies the entire edifice of his good ideas is based on his weaknesses, and as they are exposed, so falls the edifice. Or what if we grant (using a different metaphor) that many if not most heroes were heroic or genius or really pretty good in some ways and in other ways may exhibit character flaws, inconsistencies, what we see now as hypocrisy (How could Thomas Jefferson have kept slaves?!), etc.?"

  I felt this point uncomfortable to me so I waited a while to see what was this feeling all about. This is what I found and wanted to share with you all.

  I do think that JL Moreno and all genius for that matter have "feet of clay" in some particular sense. What I’ m not sure is that my sense is the same than Blatner’s used here, which I found particularly pejorative. I'll explain:

  It seems to me clear that Moreno built all his career as an antithesis (in Hegel and Fitche sense) of the establishment of the epoch. And why? Difficulty to adaptation? Certainly. But is that all? That is why I felt uncomfortable about words like feet of clay, flaws, inconsistencies, weaknesses. It brings pejorative sense of the struggle of the human being to grow. And Growth is a main issue for human beings and, by far, the less well understand issue for all of us. Despite all the brilliant theories, particularly since Darwin, we simply don't know exactly how and why do we develop as human beings, as culture and as society. Our own vulnerabilities could be a major strength if we used them to grow, enhancing the creative forces and reducing possible destructive forces in to play.

  In some accounts of evolutionary theories it is said that Evolution itself only occurs if necessary. For instance, the reptiles are so well adapted to their environment that there is no significant push to evolve further. When we think in this continuum between species, having human beings as the most evolved specie in some consciousness taxonomy (it’s important to be aware of the scale that we are measuring evolution), we can make speculations about how far away we and our environment are far from some kind of adaptation like the one showed by other animals.  

  OK, I am missing my point here. What I’m saying is that, in my opinion, it’s beside the point to realize that genius have weaknesses. We don’t want to throw our baby with the bathwater. What we must know and be conscious of is the fact that there are no such thing as perfection and the brighter the light the greater the shadow.

  All the best,

  Ivo   



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